本文主要内容2010年9月公共英语三级考试真题(阅读理解Text2)。更多公共英语三级考试试题,请关注“公共英语三级真题”栏目。
2010年9月公共英语三级考试真题(阅读理解Text2)
Text 2
Recently in the Scottish Highlands,260theatergoers were led up a well-lit, pin-tree-lined con- crete path. Theirdestination? A vacant water plant. The large concrete space had the impersonalfeel of an army camp--exactly the atmosphere the producers of Black Watch hopedto reproduce. The play is based on the true story of a Highlands troop sentoverseas in 2004.
Essentially, site-specific theater refers toplays produced in places directly relevant to their ac- tion. At the MuseumHotel in Wellington, New Zealand, audiences filed into room 217 to watch a taleabout the various personalities who had occupied the room over time. "Ithink people are tired of the same old plays in the same confines of space,"says Paul McLaughlin, who produced Hotel."Drama happens all aroundus--at the bus stop, in a supermarket--so we attempted to show how people caninteract with the space that surrounds them. "
To be sure, on-scene productions presenttheir own set of challenges. Producers of Black Watch had to scout aroundLondon for a location for when the show comes to the British capital. But formany audience members, leaving the comfort of their theater seats makes for amore meaningful experience. "A lot of site-specific work challenges theway you look and think, "says Nick Kaye, adrama professor at theUniversity of Exeter.
Site-specific shows can also satisfy thegrowing desire for individualized entertainment fueled by on-demand televisionand the Intemet. In Faust, which the London-based theater group Punch- drunkjust wrapped up, audience members got to pick what they wanted to see. Housedin an old five-story storehouse in east London, the play featured different settings.Audience members could choose to watch a scene and follow certain actors fromlocation to location. Felix Barrett, the direc- tor of Faust, says today'stheatergoers expect more than just the traditional audience-actor relation-ship. "What I wanted to do was to create a piece where the audience cancarve out the night they want to have, and it stays with them. "Creating astrong sense of place goes a long way toward a- chieving that. -
51. Recently,260 Scottish people went to adeserted water plant
A.to toura newly-built military base
B. towatch a play about military life
C. to visit a military troop back home
D. to attend a military trainingprogram
52. The essence of site-specific theaterlies in the idea that drama
A. shouldbe made as lifelike as possible
B. should reflect people's feelings andideas
C.should reveal what is going on in theworld
D.should be acted by those related to thestory
53. Compared with the conventional form oftheater, on-scene theater to producers is less
A.meaningful
B.demanding
C.convenient
D.interactive
54. In the play Faust, audience members can
A.revisethe story in their own way
B. talk freely to their favoriteactors
C.chooseto take part in the acting
D.jump over uninteresting scenes
55. We learn from the text thatsite-specific drama is created to accommodate
A. the change in what theatergoers expect ofa play
B.theatergoers'growing need for a sense of place
C.thechange in the role modem drama is to play
D.theatergoers' falling interest in entertainment
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